Color Correction
We correct exposure, white balance, contrast, saturation, and skin tones to create natural, consistent footage across every shot, camera, and lighting condition.
Give every frame the clarity, continuity, and visual character it deserves with hsc.tv’s expert color correction and color grading services. Our post-production team balances exposure, contrast, white balance, and skin tones, then builds a purposeful look that supports your story. From broadcast programming and documentaries to branded campaigns and digital releases, we help footage feel polished, cohesive, and ready for delivery.

Polished post-production services that balance footage, establish intentional looks, and prepare content for confident final delivery.
We correct exposure, white balance, contrast, saturation, and skin tones to create natural, consistent footage across every shot, camera, and lighting condition.
Our team develops a tailored visual palette that reinforces the mood, brand, and narrative of your film, campaign, broadcast segment, or digital series.
Pair color work with editing, graphics, animation, voice-over, and audio mixing through one coordinated post-production workflow built for polished delivery.
Color is more than a final touch—it guides attention, establishes atmosphere, and helps separate memorable content from merely usable footage. hsc.tv combines technical correction with creative grading to bring visual consistency and a deliberate finish to each project. Our integrated post-production workflow keeps color aligned with editorial, graphics, and audio decisions, making delivery smoother for broadcast, branded, documentary, sports, and digital content teams.

See why leading networks, brands, and storytellers trust hsc.tv with demanding productions and final finishes.
A connected creative partner for technically demanding, visually refined content.
Emmy and BAFTA-recognized work reflects a commitment to standout creative and technical execution.
Color, editing, graphics, animation, and audio support stay coordinated under one experienced partner.
Our team supports delivery expectations for networks, streaming platforms, sports organizations, and commercial clients.
Since 1996, we have listened closely and partnered with clients from concept through final cut.
Experienced collaborators behind refined productions and dependable post-production.

Director / Director of Photography
Bryan "Twz" Brousseau is the Director, Director of Photography, and owner of hsc.tv, a full-service production company founded in 1996 and based in New York, with teams in Atlanta and London. The company serves networks and brands including ESPN, ABC, CNBC, A&E, Coca-Cola, Kraft, and New Balance. Bryan is a multiple Sports Emmy Award-winning cinematographer and a three-time Murrow Award winner. His recent work includes ESPN's Clutch: The NBA Playoffs (2024, director of photography for all eight episodes), Full Court Press (2024–2025), and Everything But the Chip: The 2001 76ers, as well as Grand Slam tennis and the Masters for ESPN. He also served as director of photography and producer on the feature documentary Last Call: The Shutdown of NYC Bars. Credits: https://www.imdb.com/name/nm2225355/ (Bryan Twz Brousseau).

Production Manager / Line Producer
Lacee Baisch is hsc.tv's Production Manager and the operational backbone of its productions. She runs shoots end to end, managing budgets, crew booking, call sheets, travel, and day-to-day client coordination for network and brand clients including ESPN, A&E/History Channel, and PepsiCo. Her recent work includes the A&E/History Channel Declaration of Independence production at the New York State Archives, ESPN field shoots in Boston and Tampa, and the PepsiCo Advertising Hall of Achievement film currently in production.

Head of Post Production
Pier de Sanctis is a multi-Emmy Award-winning editor and the head of post-production at hsc.tv. Over more than 30 years in the field, Pier has specialized in motion graphics, editing, and creative direction, building show packages for HISTORY, CNBC, ESPN, CBS, and ABC. Pier has served as lead editor on long-form documentaries including Showtime's Quiet Storm: The Ron Artest Story, ESPN's On & Coppin, Last Call: The Shutdown of NYC Bars, and All in My Power, along with numerous broadcast features for CBS, ESPN, and NFL Network. Pier also leads hsc.tv's post-production team on fast-turnaround, on-site work for live events and brand activations, including the US Open, Bonnaroo, ESPN's NCAA tournament coverage, the Coca-Cola Olympic Torch Relay, Coca-Cola E206, Nabisco Triscuit Home Farming, and the Saks Fifth Avenue Holiday Light Show.

Head of Editorial & Colorist
Rosie Nakamura is a two-time Emmy-winning editor and colorist with 25 years of experience shaping stories across every format. As Head of Editorial at hsc.tv, a full-service production company in New York, she leads the team's creative post-production work. Her credits span network television, feature-length documentaries and narrative films, shorts, web series, music videos, and promos. She has worked with ABC, NBC, CBS, HISTORY, ESPN, Lifetime, Sony, and Coca-Cola. In 2018, she won Best Editing at the Worldwide Women's Film Festival for the short film Lovers. A filmmaker in her own right, Rosie directed her first feature documentary, The Trick to Escape a Straitjacket, which has screened at festivals across the country. She is a graduate of the Denison University film program.

Head of Motion Design
Autumn Nakamura Neal is a two-time Emmy Award winner who has been working as an animator and designer at hsc.tv since 2007. Currently serving as Head of Motion Design, her work spans documentaries, docuseries, network promos, and sports programming, with projects for Skydance Sports, ESPN, CBS, Netflix, Hulu, and more. Her recent work includes animation and design for the Apple TV+ docuseries The Dynasty: UConn Huskies and the ESPN original docuseries Where It Lies.

Head of Visual Design
Daron Nealis is hsc's Head of Visual Design. She has been with the company since 2013 and has collaborated on a diverse collection of projects for Skydance, Netflix, ESPN, Hulu, A&E, as well as nonprofits, startups, and independent films. She recently worked on the documentary feature Born Melo, which premiered at Tribeca, as well as the Netflix Olympic Basketball series Court of Gold. She is proud to have worked on two Emmy-winning projects, but not as proud as her mom.

Post-Production Manager
Joe Anton is an Emmy Award-winning post-production manager and video editor who has served as hsc's post manager since 2018. Her professional experience in film and video spans feature films, unscripted television, promos and marketing, digital media, and more. She has worked with notable clients including ABC, CBS, ESPN, Showtime, Netflix, Hulu, Google, Amazon, and Skydance, among others. She received an Emmy Award for her work on Prime Video's Election Night Live With Brian Williams, as well as an Edward R. Murrow Award for her work on the Bleacher Report docuseries B/REAL.
Color correction cost is typically determined by the project’s runtime, number of camera formats, condition and consistency of the source footage, required deliverables, and review needs. A short, well-organized edit usually requires less work than a multi-camera documentary or broadcast program. hsc.tv can scope the footage, creative objectives, and finishing requirements to provide a project-specific estimate before work begins.
Speak with our post-production team about your creative and delivery requirements.

2025 winner for outstanding show open

2025 Best Documentary winning production

Documentary series nomination recognition
Tell us about your footage, creative references, timeline, and deliverables. Our team will help define the right color finishing approach.
For immediate assistance, feel free to give us a direct call at +1 718-626-6226.
For immediate assistance, feel free to give us a direct call at +1 718-626-6226.